"It was yesterday, only yesterday,
Though years have passed..."
-- Just a Memory
Though not a Chicagoan by birth, George Clarence Moran migrated
to Chicago before the turn of the century – and stayed there
throughout the landmark years of his tumultuous, rat-a-tat-tat
career until an event called the St. Valentine's Day Massacre put
him out of business.
A virtual legend in his own time, Chicagoans read his name in the
newspapers almost weekly during the 1920s, when gangsters made the
headlines with their bootleg wars. A smiling, teasing, rakish, but
oft-hot tempered punch thrower, Moran was a central member of the
North Side "Irish Gang" that would not play ball with
crime czar Al Capone. The latter wanted all of Chicago under his
cuff, but Moran's answer to that was an unrelenting "Nuts to
you!" While other territorial gangs melted away or relinquished
to Capone's pressure, allowing "Scarface" Al into their
pockets, the Irishers stood steadfast, among them Moran, apt to
shoot at the first sight of a Capone "wop".
Moran was indeed a man of his time and place – the precisely
coined Roaring Twenties and Chicago. In no other American city was
the pinstripe-suited mobster and beer baron more idolized, regarded
by the public as a good fella and even a Robin Hood. In photos in
the papers, Moran always wore an immaculate three-piece suit,
expensive fedora and a cashmere coat with Chesterfield collar; and
he smiled like the little boy who had gotten away with throwing
spitballs at the teacher. The politicians, whom he bought, loved
him. The reporters, who knew better, loved him anyway because he was
always, always, great press. Never failing to dart an insult
to Capone, calling him "the Beast" or "the
Behemoth," he as easily titillated the citizens of Chi-town
with an Irish joke or a crazy shenanigan.
And, if his shenanigans involved guns – i.e., blowing some
"daigo" gangster to hell – well, that too was the
colorful stuff entertaining anecdotes are made of because somehow
Moran carried off even violence with style. Maybe because he was the
underdog taking on the organized Sicilians and beating them at their
own game – a fact he let everyone know – Chicago sympathized
with him. Maybe he just had a way with words, and with a Jazz Age
decorum. His gun plays did not come across as nasty, they were
adventure. They were the David and Goliath fable come to life in an
era that adored the merry-andrew lawbreaker and the thrill of crazy,
crazy antics.
If ever the most incidental events produced a change in American
blue-collar texture it was during the 1920s. Across the nation,
trivial habits, expressions and innuendoes affected, or were
affected by, a daily lifestyle and “home grown” attitude.
Certainly, Chicago was no exception. It seemed to covet its
own behavior, good or bad, with an almost untamed idolatry; and,
good or bad, the metropolis glowed with an aura of self sufficiency
creating, in turn, its own popular history within a popular history.
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Bugs Moran (left) in
one of many court appearances. |
Studying Bugs Moran is, in essence, studying Chicago's
Prohibition years. Not the ordinary citizen of his times, he is
nevertheless the folkloric ideal of the ordinary citizens' headliner
during those times. His was the life of the city kid disadvantaged
by his surroundings, yet electrified by the socio-economical events
stirring around him. As was the Depression-era bandit who heeled the
jalopy accelerator immediately after the 1920s, Moran is definitely
a product of the era, a genre of a social class at a time when that
social class either fell or rose, but was prompted to go either way.
Try as they will, today's social-correctors cannot, though they
try to, erase what happened in Chicago when the North Side and the
South Side clashed over booze. Prohibition urged the half-baked
street waif with a curious glint in his eye for dough-re-mi to join
the camaraderie of the hour, no matter what side of the Chicago
River they lived on, to get rich quick on black-market beer and gin,
scruples aside.
It is very likely that Bugs Moran and others of his station saw
their illegal enterprises as the only doors of opportunity open to
them. Sociologists would agree that at the time of the "Take
the Advantage, Boy!" syndrome, fueled by the likes of Horatio
Alger, the honest advantages weren't as clearly defined as
they are today, nor as present. So telling of how Moran and his
North Side "Irishers" saw themselves is their fervent
disapproval of prostitution in their territory. "It's against
Our Mother's Church!" cried Moran's mentor, Dion O'Banion. And
yet they flinched little when disposing with a .44 another mobster
who dared to sell liquor on their turf.
Moran's attitude might best be summed up in a 1928 interview he
gave to a Methodist minister, Reverend Elmer Williams, for his
social-reform magazine, Lightning. Comparing his enemy
Capone's greed for money to his own basic need to survive in
business peaceably, Moran (in his usual witty manner) replied:
"'The Beast' uses his muscle men to peddle rot-gut alcohol and
green beer. I'm a legitimate salesman of good beer and pure whiskey.
He trusts nobody and suspects everybody. He always has guards. I
travel around with a couple of pals. 'The Behemoth' can't sleep
nights. If you ask me, he's on the dope. Me, I don't even need an
aspirin."
Moran is one of the most interesting figures to emerge from
Prohibition's wayward legions. His depth, hidden under a cocky
shell, makes him so; he could be comical at 10 a.m. and deadly at
10:30. He could play the picked-on innocent to an arresting
policeman, then be straightforward to a judge on the bench
afterwards. Judge John H. Lyle, Prohibition-era Chicago's
incorruptible jurist whose book The Dry and Lawless Years
relates his courtroom dealings with many of the decade's top
criminals, makes no contention of his hatred for many of them. Yet,
he recalls Moran fondly:
"As a man Moran had interested me. In the many times he had
been before me in court I had discerned contradictions in his
makeup. He was guilty of many wicked acts. But also he was
sharp-witted, had a keen sense of humor and at times was highly
emotional. I had long thought that of all the gangsters I had
observed Moran was the most likely to repent..."
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