Voice analysis for the KGB?
That's what political prisoners with special skills are forced to
do in Alexander Solzhenitsyn's fact-based novel, The First Circle.
Although imprisoned, these scientists have a unique position in
Stalin's Russia. They live in a penal institution that doubles
as a scientific research center and their assignment is to develop
voiceprint technology. While the Russian secret police analyze
phone calls in Germany, the technicians are pressed to figure out
how to scientifically measure the individuality of the human voice.
The novel offers a fascinating glimpse into the early days of this
technology, but it was not in 1949 Russia where it all began.
The idea that someone could be identified by the sound of
his voice had its origins in the work of Alexander Melville Bell
(father to Alexander Graham Bell). Over one hundred years ago,
he developed a visual representation of what the spoken word would
look like. It was based on pronunciation and he showed that
there were subtle differences among different people who said the
same things. His son later joined him in using the system to
help deaf people to speak.
Then in 1941, the laboratories of Bell Telephone in New Jersey
produced a machine—the sound spectrograph—for mapping a voice
onto a graph. It analyzed sound waves and produced a visual
record of voice patterns that were based on frequency, intensity,
and time. Acoustic scientists used it during World War II, as
seen in Solzhenitsyn's novel, to attempt to identify enemy voices on
telephones and radios. However, with the war's end, the
urgency for this technology diminished and little came of it until
later.
Voiceprint technology began to get notice for criminal
investigations in the early 1960s when the New York City Police
Department received numerous bomb threats by phone against major
airlines. Stymied, the FBI asked Bell Labs to help.
Lawrence G. Kersta, one of their senior engineers, was assigned
the task of figuring out a method of identification that would stop
the calls and bring the perpetrators to justice. He was a
physicist who had worked with the sound spectrograph in its early
days. It took him more than two years and the analysis of over
50,000 voices, but he managed to offer a technique that he claimed
tested at 99.65% accuracy. He had even brought in professional
mimics to try to fool the machine, but try as they might to imitate
someone else's voice, the mimics showed up in the graph as quite
dissimilar from the original voices. Kersta eventually broke
away from Bell Laboratories to market the machine on his own.
Then in 1966, the Michigan State Police started to work on a
practical application of voiceprint technology in criminal
investigations. They formed a Voice Identification Unit and
hired Kersta to train these officers. Their intent was to use
it to assist with ongoing cases, but it wasn't long before its legal
weight was reviewed in a courtroom.
Voiceprint technology came into the American courts in the 1960s,
and judges were divided on whether or not to admit it as scientific
evidence. There was little research to support it, there were
few people who really could be called technical experts, and
linguists testified against one another on its viability.
The first case was in military court, United States v. Wright, and
that began the judicial controversy. One court ruled the
technology admissible, but a dissenting judge wrote a detailed
opinion on why it should not be considered scientifically
acceptable.
The New Jersey Supreme Court was the first non-military court to
make an appellate review, in State v. Cary. Courts in
New York and California had admitted this type of testimony, so the
New Jersey justices remanded the case to check the accuracy of the
equipment. Another appeal came their way and they ruled that
it was too early to tell whether this method was reliable.
After several more times back and forth, with no new scientific
support, the voiceprint identification evidence was excluded.
The reason for this, and the subsequent case history, are supplied
in detail in Section Five. First, Let's look at how the sound
spectrograph worked in a murder investigation.
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